�Detroit families and community leaders will share their health precaution stories and their priorities for health care reform at a roundtable today with representatives from the health insurance industry.
Detroit, MI is the second stop on a listening tour conducted by America's Health Insurance Plans' (AHIP) Campaign for an American Solution. The campaign is a new national grassroots and educational initiative to build documentation for feasible health care reform based on vI core principles: coverage, affordability, quality, economic value, choice and portability.
"As we listen to the health care stories of families in Detroit and crossways the land, we are also seeking their input on our reform proposals and what the land can do to make coverage more affordable and more portable," said Karen Ignagni, president and CEO of AHIP.
The Campaign for an American Solution is engaging in conversations about health upkeep with Americans from all walks of life-those with coverage and those without, small business owners and employees, unification leaders and members, physicians and early providers, and working families from divers communities.
"We ar encouraging all Americans to have their voices heard in the health caution reform treatment," said Ignagni.
Over the past iI years, AHIP's Board of Directors has developed a range of comprehensive policy proposals to provide families with greater access to high-quality affordable health care coverage. AHIP's proposals would:
- Ensure that all Americans receive access to health upkeep coverage;
- Repair the health care safety internet by expanding Medicaid to cover every uninsured American living in poverty and making all children from low-income uninsured families eligible for the Children's Health Insurance Program;
- Strengthen the employer-based wellness care coverage system that enables tens of millions of working families to access indemnity;
- Guarantee access to health forethought coverage in the individual market to ensure that no i falls through the cracks;
- Give working families a serving hand to afford health care coverage by providing tax credits on a sliding-scale up to 400 percent of the federal poverty argument;
- Give workers portability with a new tax-exempt portable health account that can be used to purchase whatsoever type of health care coverage. Individuals, employers, the federal government and land governments could all lead to the account;
- Slow the growth rate of the cost of medical services to facilitate make reporting more low-cost for working families; and
- Improve the value that consumers get for their wellness care dollars by rewarding quality, promoting wellness and prevention, and providing consumers with better access to information about what medical treatments ar most effective.
Currently, more than one meg people in Michigan, or ten pct of the state's population, are uninsured, according to Urban Institute and Kaiser Commission on Medicaid and the Uninsured estimates based on U.S. Census Bureau March 2006 and 2007 Current Population Survey information. The same report estimates nearly 47 million Americans do non have health insurance coverage.
About the Campaign for an American Solution
The Campaign for an American Solution is a nonpartisan, educational and grassroots enterprisingness of America's Health Insurance Plans (AHIP), the national trade association whose members provide reporting to more than two hundred million citizenry. The Campaign's goal is to build support for workable wellness care reform based on core principles supported by the American people: reporting, affordability, quality, value, alternative and portability.
http://www.americanhealthsolution.org
America's Health Insurance Plans
More info
Thursday, 21 August 2008
Monday, 11 August 2008
Marcel et son Orchestre
Artist: Marcel et son Orchestre
Genre(s):
Punk
Discography:
Crave Pas, T'es Chauve
Year:
Tracks: 14
 
Ex-Eurythmic Stewart tours again as "band leader"
Tuesday, 24 June 2008
Los Bukis
Artist: Los Bukis
Genre(s):
Latin
Discography:
Me Volvi a Acordarme de Ti
Year: 1999
Tracks: 10
Inalcanzable
Year: 1997
Tracks: 10
Yo Te Necesito
Year: 1995
Tracks: 10
Los Bukis
Year: 1994
Tracks: 10
Y Para Siempre
Year: 1991
Tracks: 10
Travez de Tus Ojos
Year: 1991
Tracks: 10
Si Me Recuerdas
Year: 1991
Tracks: 10
Falso Amor
Year: 1975
Tracks: 10
The Mexican radical Los Bukis, an endemic word that means "the kids," recorded their debut record album in 1975. It included Camilo Sesto's "Quieres Ser Mi Amante," a Spanish version of the classic "Feelings," and the band's number 1 original hit, "Falso Amor." The radical was formed by singer/songwriter Marco Antonio SolÃs and his cousin, guitarist Joel SolÃs, world Health Organization were previously performing below the name of Los Hermanitos SolÃs. The original foursome had respective changes during the 1980s, organism united by keyboardist Roberto Guadarrama, percussionist and sax player José Guadarrama, wHO replaced José Javier SolÃs when the creative person distinct to pop out a solo career, bassist Eusebio Cortéz, and drummer Pedro Sánchez. Los Bukis started playing traditional Mexican music, later moving to Latin pop ballads. When the band was at its climax, Marco Antonio SolÃs also started composition for pop artists such as Marisela and Laura Flores. In 1989, Los Bukis achieved quaternion Lo Nuestro Awards, piece its songs were ofttimes mounting on Latin charts. The mathematical group disbanded in 1995 when its leading isaac Bashevis Singer distinct to go on his own.
Robert DeNiro testifies in dispute over his new New York City hotel
Monday, 9 June 2008
Coroner: Levert Died of Natural Causes
The unexpected passing of Sean Levert earlier this year may not have been fair, but it was natural.
An Ohio coroner has announced that the R&B singer, who died March 31, barely one...
An Ohio coroner has announced that the R&B singer, who died March 31, barely one...
Monday, 2 June 2008
American Idol - Sanjaya Returns
Demonstrating yet again that there is life after losing on American Idol,
Nationwide Insurance announced today (Tuesday) that it had hired 2007
contestant Sanjaya Malakar to star in its series of TV ads titled "Life Comes
at You Fast." The ads will target the South Asian market, where Malakar
received considerable press attention as an Indian-American contestant on the
talent show. Although judge Simon Cowell relentlessly battered his
performances, once calling them "horrendous," the good-looking teenager seemed
to defy the odds, returning week after week with a new hair style. In the
Nationwide commercial, Sanjaya visits a Hindu monastery as is advised by a guru
that he needs a retirement plan -- and some work on his hair.
27/05/2008
See Also
Tuesday, 27 May 2008
Gigs around town
BELL X1
Damien Rice’s former band takes its name from an experimental U.S. Air Force project. There’s much buzz surrounding this Irish band and its CD, “Flock.” Tonight at the Paradise, 617-562-8800.
BLACK KEYS/BUFFALO KILLERS
Akron, Ohio, blues duo Black Keys tours in support of its new Danger Mouse-produced CD, “Attack & Release.” Keys vocalist/ guitarist Dan Auerbach produced the forthcoming disc from openers Buffalo Killers. Tomorrow at the Orpheum, 617-482-0650.
BRUCE COCKBURN/CATHERINE MACLELLAN
Twenty-nine albums in 38 years amounts to a prolific body of work, and the 62-year-old Cockburn shows no signs of slowing down. He appears solo with fellow-
Canadian opener MacLellan, who’s performing songs off her first release in eight years, “Church Bell Blues.” Tonight at the Somerville Theatre, 617-625-4088.
DEVOTCHKA
This much-buzzed-about Denver band combines folk styles from Eastern Europe (among other places) with an American punk sensibility. Sunday at the Paradise, 617-562-8800.
BOB DYLAN
As his Neverending Tour continues, Dylan gives the faithful an opportunity to hear him in a relatively intimate space. Tonight at the Palladium, Worcester, 508-797-9696.
FELIX DA HOUSECAT
Nothing lethargic and lazy about this Housecat, who spawned the electroclash spinoff from Chicago’s house-music underground. He’s celebrating the release of his new Global Underground live mix, “GU034: Felix Da Housecat Live in Milan.” Tonight at Estate, 617-351-7000.
MELISSA FERRICK
Having just finished recording a new CD, Ferrick brings her powerful pipes and percussive guitar playing to a pair of 11 p.m. shows with a unique format: one half of songs from the new CD, a second half of fan favorites. Tonight and tomorrow at Club Passim, Cambridge, 617-492-7679.
JANIS IAN
Damien Rice’s former band takes its name from an experimental U.S. Air Force project. There’s much buzz surrounding this Irish band and its CD, “Flock.” Tonight at the Paradise, 617-562-8800.
BLACK KEYS/BUFFALO KILLERS
Akron, Ohio, blues duo Black Keys tours in support of its new Danger Mouse-produced CD, “Attack & Release.” Keys vocalist/ guitarist Dan Auerbach produced the forthcoming disc from openers Buffalo Killers. Tomorrow at the Orpheum, 617-482-0650.
BRUCE COCKBURN/CATHERINE MACLELLAN
Twenty-nine albums in 38 years amounts to a prolific body of work, and the 62-year-old Cockburn shows no signs of slowing down. He appears solo with fellow-
Canadian opener MacLellan, who’s performing songs off her first release in eight years, “Church Bell Blues.” Tonight at the Somerville Theatre, 617-625-4088.
DEVOTCHKA
This much-buzzed-about Denver band combines folk styles from Eastern Europe (among other places) with an American punk sensibility. Sunday at the Paradise, 617-562-8800.
BOB DYLAN
As his Neverending Tour continues, Dylan gives the faithful an opportunity to hear him in a relatively intimate space. Tonight at the Palladium, Worcester, 508-797-9696.
FELIX DA HOUSECAT
Nothing lethargic and lazy about this Housecat, who spawned the electroclash spinoff from Chicago’s house-music underground. He’s celebrating the release of his new Global Underground live mix, “GU034: Felix Da Housecat Live in Milan.” Tonight at Estate, 617-351-7000.
MELISSA FERRICK
Having just finished recording a new CD, Ferrick brings her powerful pipes and percussive guitar playing to a pair of 11 p.m. shows with a unique format: one half of songs from the new CD, a second half of fan favorites. Tonight and tomorrow at Club Passim, Cambridge, 617-492-7679.
JANIS IAN
Sunday, 18 May 2008
Jimmy Fallon formally named next "Late Night" host
Jimmy Fallon formally named next "Late Night" host
LOS ANGELES (Reuters) - "Sabbatum Nighttime Subsist" veteran Jemmy Fallon was officially named on Mon to assume Conan O'Brien's position on NBC next year when O'Brien succeeds Jay Leno as host of "The Tonight Show."
The announcement, which had been expected for weeks, was made during a push event from NBC headquarters in Freshly York where O'Brien's "Of late Night" show is taped.
The appointment of Fallon, long considered a leading competition for NBC's 12:35 a.m. time slot, completes a talent shuffle prepare in motility when the Full general Electric car Co-owned network announced in 2004 that Leno would withdraw from "Tonight" in 2009 and that O'Brien would replace him.
"It's going to be a grind, it's going to be hard, only I'm going to go at it full military group," the boyish-looking Fallon told reporters on a conference call. "The fact that I'm stepping into Jacques Louis David Letterman and Conan O'Brien's place is very exciting."
Fallon said he too was excited to go back to work for Lorne Michaels, wHO was his boss as producer of "Sabbatum Night Survive" and whose company co-produces "Late Night."
Asked how much his new job would pay off, Fallon joked, "I keep request Lorne and he's apprisal me non to worry about.
"They're paying me enough," he said. "I precisely want to live comfortably in Dubai."
Fallon, 33, appeared on "SNL" for six seasons and was co-host of its "Weekend Update" segment. He left the political program to focus on making feature films, although such efforts as "Febricity Pitch" and "Taxi" fell flat tire at loge offices.
Wednesday, 30 April 2008
Mendes drops drama for laughs
Mendes drops drama for laughs
Academy Award winning director Surface-to-air missile Mendes is set to helm a fresh drollery, currently titled 'This Must Be the Place'.
The photographic film will surveil a young couple as they move around crosswise the US in search of the perfect place to raise their child.
The 'American Beauty' film director is currently finishing 'Revolutionary Road' for DreamWorks, starring his wife Kate Winslet and Da Vinci DiCaprio. The drama is due for release at the end of this year.
Earlier it was thought that his next project would be his first UK film, 'Middlemarch'. The drama is a rendering of George Eliot's 19th c classic novel, which is being adapted for the big screen by Andrew Davies.
However, according to Variety cartridge clip, subsequently workings on so lots heavy-duty drama, Mendes decided instead that it was time to flex his comedic muscles.
No throw has been confirmed even for the newly 'This Must Be the Place' and dealer photography volition begin in Borderland.
Monday, 28 April 2008
Scorsese making Marley documentary
Scorsese making Marley documentary
Pursuit the success of his Cork Dylan documentary 'No Counselling Home' and the pass completion of his freshly Rolling Stones film 'Shine a Light', Oscar-winning theater director Martin Martin Scorsese is to make a documentary about reggae legend Bob Bob Marley.
Miscellany reports that the as-yet-untitled celluloid has been authorised by Marley's kin.
The cinema is due for release on 6 Feb, 2010, which would own been Marley's 65th birthday.
To mind to this week's special 'Arts Show' report on Bob Marley, click here.
Sunday, 27 April 2008
Dave Holland
Artist: Dave Holland
Genre(s):
Jazz
Avantgarde
Discography:
Triplicate
Year: 2000
Tracks: 9
Emerald Tears
Year: 2000
Tracks: 8
Dave Holland is of a generation of bassists wHO, in the '60s and '70s, built upon the innovations of somewhat old players like Scott LaFaro, Gary Peacock, and Barre Phillips, carrying the instrument to yet another new level of creativity. Along with coevals like Eddie Gómez, Miroslav Vitous, and Barry Guy, Holland helped refine and stretch out the melodic possibilities of the cumbersome dual bass. In Holland's case, those refinements ne'er bemused touch with the sum verities of straight-ahead wind; Holland's signified of swing is unexceeded. Additionally, Holland is possibly the nigh accomplished pure jazz composer among bassists, subsequently Charles Mingus. Holland's small-scale groups in the '80s and '90s, piece working hard inside the wind parlance, presented a fresh alternative to the standpat re-creations of the neo-boppers.
Netherlands started playing uke at the age of four, switch to guitar at ten and bass guitar at 13. He took some pianoforte lessons as a child, simply was at low gear by and large self-taught, learning from bolt down music songbooks and by hearing to the radio. He played in dance bands with friends. As a stripling he decided to strain to make a living as a musician. Under the influence of such jazz bassists as Leroy Vinnegar and Ray Brown, Holland took up the double bass, learnedness principally by playacting along with records. He began playing professionally soon thereafter. One of his first gigs was in a big band that toured behind the singer Johnny Ray. Holland studied with James E. Merritt, the dealer bassist with the London Philharmonic, wHO recommended him to the degree course of study at the Guildhall School of Music and Drama.
At Guildhall, Holland gained know in a variety of styles, from orchestral music to New Orleans jazz to bebop and beyond. In 1966, he began playing with many of the musicians with whom he would collaborate over the next deuce decades -- musicians like herald Kenny Wheeler, saxist John Surman, and piano player John Taylor wHO were well in air with jazz innovations of the time. Holland acknowledges being influenced by Mingus, LaFaro, Jimmy Garrison, and Gary Peacock at this pointedness in his calling. Holland also became interested in many twentieth hundred classical composers, particularly Béla Bartók. Holland played London clubs with England's top jazz musicians, as well as visiting dignitaries like Coleman Hawkins, Ben Webster, and Joe Henderson. In July of 1968, Miles Davis heard him at Ronnie Scott's and asked him to bring together his band.
Netherlands promptly relocated to New York and participated in the making of several authoritative Davis recordings, including In a Silent Way and Bitches Brew. In 1970, he co-founded (with Anthony Braxton, Chick Corea, and Barry Altschul) the mathematical group Circle, which embraced free jazz concepts. In the early '70s, he played with Stan Getz, Thelonious Monk, and Sam Rivers. In 1975, he formed the Gateway Trio -- with Jack DeJohnette (drums) and John Abercrombie (guitar) -- a mathematical group that would continue to record book and duty tour intermittently for the adjacent 25 long time. In the early '80s, Holland worked extensively with Sam Rivers and organised his have band, a quint with Wheeler, Julian Priester (trombone), Steve Coleman (alto adolphe Sax), and Steve Ellington (drums). Thereafter, Holland-led modest groups would uphold to spell and record through the end of the 100. Later members would include Marvin "Smitty" Smith (drums) and Robin Eubanks (trombone). Although the force would vary, the band would at long last drag their identity element from Holland's compositions.
In the '80s and '90s, Holland worked as an pedagogue, heading the summer jazz workshop at the Banff School in Banff, Alberta, Canada, from 1983 until 1990. From 1987 until 1990 he was a mental faculty extremity at the New England Conservatory of Music. Aside from prima his own chemical group, Holland's musical activities in the '90s included projects with DeJohnette, Gateway, and Herbie Hancock. He too recorded with Joe Lovano, Gary Burton, and Jim Hall. Holland's late-'90s quartette included Robin Eubanks, Steve Nelson (vibraharp), Chris Potter (sax), and Billy Kilson (drums). The sunup of the 21st hundred brought more releases, including Not for Nothin' in 2001, What Goes Around in 2002, and Extended Play: Live at Birdland in 2003, all on ECM. Overtime came out in 2005, followed by Critical Mass in 2006, both on Sunnyside.
Subscribe to:
Posts (Atom)